傅新民
傅新民，号新萌，1949年6月生于江西南昌，就职于厦门。系著名当代艺术家，中国美术家协会会员、中国根艺美术大师、福建省雕塑学会会长。从事艺术创作50多年。近20多年来的当代艺术创作，集中于对生命，对自然和人类生存空间、生存状态的关注和思考。以实现人与自然的和谐为核心主题，先后创作了《织造》、《穿行》、《裂变》、《蜕变》、《凝固的风景》、《感悟》、《对话》、《规正》、《流淌》既独立又互相联结的九大系列作品，逐渐建构了一个完整的系统，概括为：宇宙创造了大千世界，万物依律而行，认识人类，感悟自然，不断对话、反思并探寻事物发展，运行的规律、秩序，终将实现人与自然的和谐。
自上世纪九十年代以来，傅新民多次举办过现代艺术个展，他的现代雕塑作品参加过中国第十届、第十一届美术展览，首届中国国际建筑艺术双年展，第二届中国北京国际美术双年展，奥运景观国际雕塑大赛巡展，中国姿态•中国首届雕塑展，第九届上海双年展等多次国际、国内大型展览并获奖。他的现代水墨画作品应邀先后在美国波士顿、纽约、西班牙巴塞罗那、荷兰祖特梅尔、日本琦玉越谷、瑞典马尔默、新加坡、马来西亚、韩国等地展出。已出版过十余本现代雕塑、现代水墨画专著。多件作品先后被中国美术馆、上海城市雕塑中心、成都现代艺术馆、厦门艺术中心、奥运博物馆、中央电视台、清华大学、厦门大学等地收藏。已出版过十余本现代雕塑、现代水墨画专著。先后被福州大学、集美大学、厦门大学等高校聘为客座教授、研究生导师。
FuXin-Min，Also called Xin-meng for themeaning of a new bud, was born in 1949 at Nan-chang city,Jiang-Xi Province.Heis a famous cemporary artist in China with a quite long artistic career morethan 50 years, a member of Chinese Artists and Chinese Root Art Master, alsoacting as the Chairman of Sculpture Institute in Fujian province.In theserecent 20 years,Fu-xinmin’s contemparory art creations focus on concerning andthinking about nature,universe and human being’s life, living space,livingconditions and living dilemma. He has created Nine series works mutuallydependent on each other for more than 20 years and gradually formed a completeartistic system,which includs:Weave Series, Traverse Series, Fission Series,Metamorphosis Series, Frozen Landscape Series, Comprehension Series, DialogueSeries, Adjustment Series, and Flowing and Dripping Series.The main ideas ofThese 9 series works can be summarized in these sentences:universe creates thebig big world, and everything in the world revolves according to its inherentlaws. so the human beings should congnize and feel nature as also dialogue andreflect to it, then seek to the orders and disciplines of the development andmovement of the things, finally realize the harmony between man and nature.Since the 1990 s, Mr Fu xinmin has held a solo exhibition of modern art, and hehas participated in modern sculpture works had attended the 10th, the 11thChina fine arts exhibition, the first China international art biennale, secondBeijing international art biennale, Olympic landscape sculpture internationalcompetition, roadshow, China's stance•China's first sculpture exhibition,The ninthShanghai biennale and so on many international and domestic large-scaleexhibition and awards.Modern ink painting of his works were invited tosuccessively in Boston, New York, Barcelona, Spain, the Netherlands progenitor,MEL, Japan saitama and dales, and hast breathed through malmo, Sweden,Singapore, Malaysia, South Korea and other places. More than 10 modernsculptures and modern ink paintings have been published.Lots of his works hasrecieved various awards and have been collected by many museums such asNational Art Museum Of China(NAMOC), Modern Art Gallery of Chengdu, ShanghaiMunicipal Sculpture Center of China, and the Art Center of Xiamen and TsinghuaUniversity, Xiamen University, etc.More than a dozen books about his art workshave been published.As a result of his remarkable contributions in arts fields,he has been appointed as the visiting professor and postgraduate tutor inXiamen University, Tianjin Academy of Fine Arts, Fuzhou University and JimeiUniversity.
九大系列：相互联结、密不可分
傅新民现代艺术共分为九大系列：“织造”、“穿行”、“裂变”、“蜕变”、“凝固的风景”、“感悟”、“对话”、“追序”、“流淌”。各系列之间既独立自在，又相互联结，密不可分，构成一个相互依存的整体。其中：
Fu Xinmin’s modern art consists of 9 series:Weave Series,TraverseSeries,Fission Series,metamorphosis Series,Frozen LandscapeSeries,Comprehension Series,Dialogue Series,Seeking Order Series,and Flowingand Dripping Series.These Nine series are both independent andinterconnected,with each other,forming a interdependent whole.Theinterpretation of each series as follows:
织造系列
“织造”系列的主题为：将大千世界的基本状态分为造物说、天地说、规矩说，包含着艺术家独特的宇宙观、自然观和社会观；
WeaveSeries:the basic state of the wide world was indevided into Creature theory,Universe theory,Rule theory,containing the particular cosmology,conception ofnature and society of the artist.
傅新民作品
规 格： 直径 300 cm
Specifications: Diameter 300 cm
材 质： 钢管、不锈钢丝 块根
Materials: Steel pipes, stainless steels, root tubes
创作时间： 2003年7月至8月
Completedbetween: July & August 2003
作品说明和创意：
用球形作“骨架”，是因为它连结着大地的脊梁；用残根作“内脏”是因为它散发着泥土的芬芳。
因为色调的不一致，我感受到一种残酷的撕咬。我统一了颜色，似乎是在表现宇宙的初始、炸裂的瞬间，一切都凝固于均衡。
Description&Composition of the piece:
Theball is shaped to be the “skeleton” as it has been the bound to the earth; andthe broken roots have been used for the “bowel” for they smell the fragrance ofthe soil.
Theinconsistent colors impress me with the feeling of cruel gnawing. I harmonizethe color to symbolize the very initial explosive moment of the universe andfreeze all in equilibrium.
傅新民作品
织造No.7 Weave No.7
规 格： 直径 500×450cm
材 质： 钢、枕木、麻绳
创作时间： 2011年4月至7月
作品说明和创意：
宇宙造化了奇妙无穷的万千世界，天地定位，山泽通气，雷风相薄，水火不相射。八卦相错，数往者顺，知事者逆。知之，融之，人类之福也。
穿行系列
“穿行”、“裂变”、“蜕变”系列主题为：对万物运动、变化规律的思考及对现实的观照、反思、追问。
TraverseSeries,Fission Series and metamorphosis Series: the three series include anattempt to think about the inherent laws of all things on earth and toperceive,reflect and question to reality.
傅新民作品
规 格： 300×150×450 cm
Specifications:300×150×450 cm
材 质：树杆、钢丝绳、钢管
Materials: Branches, wire ropes, steel pipes
创作时间：2005年8月10日
Completedon August 10th, 2005
作品说明和创意：
岁月时光的流淌，留下了成熟的印记，生命的轮回运动，在风驰电骋中熠熠生辉。
Description&Composition of the piece:
Flowof time imposes maturity upon human beings while the samsara of life shines inthe instantaneous flash.
傅新民作品
规 格： 500×500×400 cm
Specifications: 500×500×400 cm
材 质：木 铁
Materials: Wood iron
创作时间：2003年8月
Completed during August 2003
作品说明和创意：
因为无限扩张，浑身是芒刺。它把自己之外的一切当做打击的目标。你伤
害了世界，也必然要伤害到自己。该作品创作于海湾战争爆发时。
Description & Composition of thepiece:
excessive expansion results in thornsin one’s flesh. Whenone targets its attack at everything other than itself, it is sure to sufferfrom the damage done onto the world. The piece was created at the time of theGulf War .
裂变系列
傅新民作品
规 格： 直径 180×250 cm
Specifications: Diameter 180×250 cm
材 质： 铁板 木
Materials: Iron sheets, wood
创作时间： 2004年5月—7月
Completed between: May & July,2004
作品说明和创意：
从物质的完整到裂变的激荡中成形，来证明创造与毁灭这两个宇宙趋势之间并不存在矛盾，旧的东西遭毁灭时，也就是新的东西诞生之日的哲理。
Description &Composition of thepiece:
From integrity to disintegration, itis proved that the 2 trends of creation and destruction of the universe are notso contradictory--- extermination of the old suggests the birth of the new,such is the law.
傅新民作品
规 格：直径200×160 cm
材 质：不锈钢、木
Materials:Stainless steel,Wood
创作时间：2003-2011.8
作品说明和创意：
在外力的作用下，让坚硬物以柔性形式出现。增强了与自然相息相融的感悟。
Description &Composition of thepiece:
Motivated by external force,the hardobject displays itself in a gentle mannaer,inspiring people to live in harmonywith nature.
蜕变系列
傅新民作品
规 格：直径240cm 高280cm
材 质：木、不锈钢
Materials: Wood,Stainless steel
创作时间：2012.3-5
作品说明和创意：
滴落的熔浆是又一个蜕变的符号，寓显工业文明对自然万千生灵的荼毒与戕（qiang）毁。是对人类生存危机的警示……
傅新民作品
规 格： 直径100×550 cm（单）
Specifications:
Diameter 100×550 cm (foreach)
1000 cm×1000 cm ×5.5 m
材 质： 木 树脂 不锈钢
Materials: Wood, resin, stainlesssteel
创作时间：2006年10月至07年2月
Completed between: October, 2006& February, 2007
作品说明和创意：
生命的克隆、基因的选择……无限制的欲望驱使着生产与消费的膨胀，一种进步与负面同构的社会后果使理性秩序的信念受到破坏。
Description &Composition of thepiece:
Human clone, choice of DNA…unrestricted desires lead toexpansion of production and consumption, of which the social consequence is theprogress interweaving regression, causing an end to the notion of rationalorder.
凝固的风景系列
“凝固的风景”、“感悟”、“对话”、“追序”系列作品主题为：呈现人与自然关系的现状、人类对自然持有的态度，对宇宙、自然、人类普遍规律的探求；
Frozen Landscape Series,ComprehensionSeries,Dialogue Series,Seeking Order Series:to reveal the present situation ofman and nature,humans attitude towards nature,also to explore the universalprinciples of cosmos,nature and the human being themselves.
傅新民作品
规 格： 670×450×470 cm
Specifications: 670×450×470 cm
材 质： 木 原生性块根 钢筋
Materials: Railway sleepers,
original root tubers, steelreinforcement
创作时间： 2004年4月—8月
Completed between: April &August, 2004
作品说明和创意：
在纯化世界的使命驱使下，用42根在铁道上退役下来又参加过厦门海上大桥和高速公路建设，在海水和泥浆中浸泡过的旧枕木和83块历经百年虫噬蚁造、风袭雨浊、疤痕沧桑的原生性块根，组合成一道景观雕塑，它是见证人类生存与自然关系的纪念碑，也是对现当代人类生存经验的反思。
Description &Composition of the piece:
Driven by the mission to purify theworld, I take 42 railway sleepers ever immersed in the seawater and mud as theywere formerly used in the construction of Xiamen Bridge and the Express wayafter their service in the railway, combining them with 83 dilapidated raw roottubes that survive the age-old erosion of weather and insect invasion, forminga landscape sculpture. It shall be the monument that witnesses the tie betweenhuman survival and the nature, as well as a reflection on the surviving experienceof modern people.
傅新民作品
规 格： No.6园 直径100 cm
Specifications: No.6 circle Diameter 100 cm
No.7方 80×80×80 cm
No.7 Square 80×80×80 cm
No.8三角 120×120×120 cm
No.8 Triangle 120×120×120 cm
材 质： 不锈钢 原生性须根
Materials: Stainless steel Primaryfibrous roots
创作时间：2003年5月—7月
Completed between: May & July,2003
作品说明和创意：
用不锈钢制作的基本几何形体去包裹原生性的须根，感受一下一种自然的有生命的东西被人为的粗暴的行为去限制、禁锢，这是当今人类生存经验需要反思的问题。
Description & Composition of thepiece:
Rough geometrical shapes of stainlessiron have been used to circle the primary fibrous roots, constituting thefeeling of some natural, living things being confined and restricted byartificial atrocity. It is an issue for people to reflect on during the livingexperience.
感悟系列
傅新民作品
规 格： 直 径 1000 cm，高900 cm
Specifications:1000cm in diameter,
900cm in height
材 质： 钢元 玻璃钢
Materials: Steel
glass fiber reinforced plastics
创作时间：2002年4月－6月
Completed between: Apr &Jun,2002
作品说明和创意：
蛹人、粗糙麻布缠裹着的形体，有人说，红色的外衣下，生命在涌动，她蕴藏着巨大的能量；还有人说，她像是个木乃尹，怎么说她都是有生命的，曾经有过生命的东西。当我把一只紧紧贴在树杆上的茧扒下来的时候，就感觉到这只有两个拇指大小的茧里面软软的蛹在蠕动，那是个小生命，它作茧自缚，是自我保护？还是代谢休整？是在孕育新的生命，待机蝶化破茧而出。这种艰难的质变，是生命的轮回运动，人类何尝不是如此。我学做女蜗，制作了无数红色的蛹人，它们注视着自己，注视着周边，也注视着这整个世界。
Description & Composition of thePiece:
The pupa persons, bodies wrapped incoarse sackcloth. Some say that there is a life wriggling underneath the redcover, she holds in store great energy; some say that she resembles a mummy.Anyhow, she has been a life, something with a life. When I pulled the cocoonoff the trunk onto which it clung, I felt the movement of soft pupa in the2-thumb-sized cocoon. In the web of its own spinning, was the little lifegetting enmeshed, or protecting itself, or nourishing itself via metabolism? Itshould be breeding a new life to break out of the cocoon to be a butterfly atthe right time. Such tough qualitative change is the rotation of life thathuman beings undergo as well. I played NǚWa to create manyred cocooned persons, making them staring at themselves, at the surroundings,and the whole universe.
傅新民作品
规 格： 320×320×320 cm
Specifications: 320×320×320 cm
材 质： 铁板与轮毂
Materials: Iron sheets, hub
创作时间： 2005年7月—8月
Completed between: July & August 2005
作品说明和创意：
“风水轮转”幸运词，大到国与国，小到人与人，机运同等。作品四方六面，所有轮子只要有外力，都能转动，外力何来……？
Description &Composition of thePiece:
“The Fortune Wheel” shall be an auspicious term, eitherinternationally or interpersonally. The piece is a multi-angled wheel thatturns at any external force exerted from …?
对话系列
傅新民作品
规 格： 220×60×280 cm
Specifications: 220×60×280 cm
材 质：木 钢材
Materials: Wood steel
创作时间：2002年4月
Completed in Mar.2002
作品说明和创意：
我将废弃德钢管、角铁按所需裁截组合排列成为浓缩的万卷“书架”，以“书架”为依托的朽木，虽说只是残留风骨，但仍然隐约可见秀色。它们的组合是人文向自然的挤压渗透，还是自然向人文的衍化，在永恒的对话中去反思……
Description & Composition of thePiece:
I took advantage of the wastesteeltubes and corner irons to form a concentrated “bookshelf”with necessary cutting,aligning andcombining.The rotten wood resting on the “bookshelf”,though in ruins,still has faintelegance.Does the combination of them signify a squeezing permeation of humanthrough nature,or a humanbound derivation of nature?Reflections lie in theeternal dialogue……
傅新民作品
规 格： 350×100×300 cm
Specifications: 350×100×300 cm
材 质：木 钢板
Materials: Wood steel plate
创作时间：2004年12月-2005年3月
Completed between Dec, 2004 &Mar, 2005
作品说明和创意：
用几十块钢板将数百年以上风化的树桩朽木连结组合在一起，形成一个大块面，好似一面刀枪不入的大盾牌；更像一座坚不可摧的城墙，气势雄浑。为了丰富作品的形式语言，对原生朽木和钢板作了技术上的处理，使自然的人文化，人文的自然化，达到人与自然的和谐与统一。这样做是想表现人文向自然渗透时，让人们去思考人与自然相互的作用力，在人类认识自然，改造自然的不断丰富文明成果的今天，是否更应该去思考“以天下之柔，驰骋天下之坚”的现实的科学内涵。 Description & Composition of the Piece:
A vast surface is formed out of thecombination of dozens of steel plates and rotten stumps of century-year old. Itresembles a giant, weapon-proof shield, or even an indestructible wall beinggrand and magnificent. To enrich the formal language of the work, I technicallyprocessed the raw rotten stumps and the steel plates, making nature humanized,and human naturalized, thus a harmonious combination of nature and human hasbeen achieved. It means to encourage people to ponder on the interactionbetween human and nature in manifestation human permeation through nature.Shouldn’t peoplethink more about the scientific connotation of “taming the solidity of the world withits own tenderness” inpresent-day achievements of civilization that are incessantly accumulated inthe recognition as well as reconstruction of nature by mankind?
追序系列
傅新民作品
规 格：245×100×245 cm
Specifications: 245×100×245cm
材 质：木 不锈钢
Materials: Stainless , root materials
创作时间：2013年6月
傅新民作品规整的几何体、钢线的缜密排序呈现出人文
理性与自然灵性历经纠结之后的紧密依存，也是
不可遏制的勃勃生机之涌动。
傅新民作品
规 格：365×90×365cm
Specifications: 365×90×365cm
材 质：木 不锈钢
Materials: Stainless, root materials
创作时间：2013年8月
作品说明和创意：
曲直交叉、穿插、嵌合……在感性欲求与冷静理性之间，既是痛苦的抗拒，也是再生的渴求，终指向矛盾中和谐的构建。
流淌系列
“流淌”系列作品表现为：人与自然和谐相处的状态，既表现对人类文明指向未来的信念，也是面对现实的理想化期待。
Flowingand Dripping Series:to show the harmonious state between man and nature,it is abelief to the future of human civilization,while is an idealized expectation tothe reality .
傅新民作品
规 格： 170×30×220 cm
Specifications: 170×30×220 cm
材 质：不锈钢、根材
Materials: Stainless steel, root materials
创作时间：2004
作品说明和创意：
这像似从地心深处奔淌出的熔浆，那是岁月的流淌，又如同贝多芬那恬美、明朗的旋律，那是心灵的炽热，它承载着人生的梦幻和深深的“刻痕”。
Description &Composition of the piece:
Like the lava gushing out of the earth core, it isthe flowing of years; like Beethoven’s peaceful, brisk melodies, it is theardor out of the bottom of heart; it carries the dreams of life and bearsdeeply-carved marks.
傅新民作品
规 格：120×50×220 cm
材 质：钢、树根
Specifications: Steel material, root materials
创作时间：2011.7-8
作品说明和创意：
天地之大无不阴阳之道，何谓阴中有阳，阳中有阴，天下学者所当知也。
Description &Composition of the piece:
Let’s acquaint ourselves with principles of Yin andYang.The dialectical thinking is the crystallization of human wisdo
这九大系列近千件艺术精品以杰出的艺术表现力构建了一个充满当代意识的数量众多、风格各异的完整系统。每个系列由主题意义密切相关的若干作品构成，共同建构了一个完整、丰富而充满创造力的当代艺术世界。傅新民创作的主题意蕴指向对当下全球化的生态危机、环境问题和人与自然的关系的体悟和思考，表达了对自然、人类和现代科技文明、商业文化的忧思，对普遍存在的从自然到生命、到社会、到人的精神世界全面异化的焦虑和批判，对中国传统文化“天人合一”境界的向往与复归，对自然原欲、生命力的张扬，以及走出困境、渴望新生的热切呼唤。可以说，“存在”的主题在傅新民的创作中得到了深度思考和淋漓尽致的艺术呈现。
TheseNine series mentioned above almost summed up to 1,000 pieces of works with avariety of styles and full of contemporary consciousness.Thethematic implication in his works can be seen includes much concern andthought on the present global ecological crisis,environment problems and therelationship between man and nature.Meanwhile the artist expresses the deepsorrow for the condition of nature and mankind,as well as the vigilance tomodern technological civilization and commercial culture. All of the worksintensively convey not only the anxiety and criticism on the alienation range scalefrom nature,life to the society and the human spiritual world.but alsodisplaying of life passion and force,even the eager to break though thedilemmas and begin a new life. In a word,the theme of “beings” has been sharplyconsidered and represented in Fu Xinmin’s creations.
★1999年6月，胡锦涛总书记来厦门视察，在省市领导陪同下参观了傅新民作品，深表赞赏并热情鼓励。
2005年9月
2008年2月
2008年2月
2009年9月至10月
★2010年8月，清华大学百年校庆“国际校园雕塑大展”在全球范围内征稿。最后从几千件作品中评选出100件，其中国外作品40件，国内作品60件，傅新民的参选作品“凝固的风景No.11”入选成为“清华百年校庆校园雕塑”精品之一。
★2011年9月12日，位于厦门五缘湾的新萌现代艺术馆开馆，一百多余件藏品全部为傅新民先生的现代雕塑、现代水墨画作品。该艺术馆为目前中国唯一的大规模、高品质、有系统艺术理念和众多作品系列的个人当代艺术馆，占地三千五百平米。馆内陈列作品作品共分为12个系列，构思新颖灵动，造型独特，将“人与自然”、“现代工业文明的困境”、“精神家园的守护”、“人类未来的展望”等主题做了全面的呈现。
★2013年12月，在福建雕塑学会成立大会上，傅新民先生因在现代雕塑和艺术方面的卓越成就、广泛的社会影响及对公共艺术事业的热忱付出，得到省内雕塑艺术业界的一致推崇，被推选为福建省雕塑学会会长。
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